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SPEAKER_02: Hello from Wonder Media Network. I'm Luvvie Ajayi-Jones. I'm a New York Times best-selling author, speaker, and host of the podcast, Professional Troublemaker. I'm so excited to be your guest host for this month of Woomanica. This month, we're highlighting prodigies, women who achieved greatness at a young age. This is especially a passion point for me because my latest book, Rising Troublemaker, a fear fighter manual for teens, reminds them that they are never too young to make a significant impact. Today, we're talking about the lioness of the piano. Considered perhaps the greatest living pianist, she embodies rebellion both on and off stage. Let's talk about Martha Argerich. By the time Martha Argerich was six years old, her parents, especially her mother, knew she was something of a genius. Martha was born on June 5th, 1991. In Argentina. Her maternal grandparents were Jewish and had fled the pogroms in Russia. Her father's family was from Catalonia in Spain. When Martha started kindergarten, she was just two and a half. An older classmate started teasing her, betting her that she couldn't play the piano. So Martha sat down at the keys and played a tune she'd heard the teacher play perfectly by ear. That first performance warranted a call home and a lot of fuss. Soon, Martha's mother began introducing her daughter to every musician who came to their town. But Martha was immediately drawn to Frederic Gouda, a young Austrian pianist. When Martha was 13, the entire family moved to Vienna so she could study with him. In 1957, Martha and her mother were married. In 1957, when she was 16, Martha stormed into the international music scene. In a matter of weeks, she won two major piano competitions, the Busoni in Italy and the Geneva International Competition. A tidal wave of performances and public attention followed. And Martha, young and shy and headstrong, felt ill-prepared. She resisted recording her first commercial album two years before finally releasing one in 1961. And then her career came to a stop. After a disappointing stretch spent with a new teacher who only gave her four lessons over a year and a half, Martha left for New York. She hoped to meet her idol, Vladimir Horowitz, but never did. She wondered if she should quit music altogether. She met and married and had a child in quick succession with Robert Chen, a composer. When they split up, in 1964, Martha returned home and began to pick up the pieces of her career. In 1965, Martha came back to the stage for good. At just 24 years old, she won the International Chopin Piano Competition. Held every five years, it's one of the only competitions dedicated entirely to one composer. Martha's interpretation of the first piano concerto performed with her signature nuance, emotional depth and charisma, reportedly brought judges to tears. With her mane of dark hair, she became an immediate media darling. Martha remains the only South American winner in the Chopin Competition's history. Offstage, Martha's life remained something of a tornado. She lost custody of her daughter, Lida, and wouldn't see her again until she was a teenager. She had two more daughters with two different partners. She developed a reputation for being a mercurial performer. Today, she won't sign a contract until after a performance, as she's known to cancel concerts at the last minute, change programs without warning, and appear on stage long after the start of a show. In a documentary made by her youngest daughter, Stefani, Martha's daughters remember their home life as chaotic, if not joyful. Regularly attending school was considered something of a rebellion. There were dance parties, 2 a.m. practice sessions, and a revolving door of other young artists. Martha is now 80 years old. She still performs, though she's rarely appeared on stage alone since the 1980s. It feels lonely up there, she said. Her lifetime of rebellion, against the rigidity of classical music, against how a female musician is supposed to play an act, has left her in the league entirely of her own. When she sits down to play, she is, as she's always been, completely herself. All month, we're highlighting prodigies. For more information, find us on Facebook and Instagram at Wamanica Podcast. You can order Rising Troublemaker everywhere books are sold. Special thanks to creators, Jenny and Liz Kaplan, for inviting me to guest host. Talk to you tomorrow.
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