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SPEAKER_03: Today I gotta do TV, I got a cold. That's fine. But anyway, I do hope you enjoy Misty. Look at me.
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SPEAKER_12: Hello from Wonder Media Network. I'm Bi Mads. I'm a cosmic soul singer and R&B artist, and this is Wominica. This month, we're highlighting black women who left their mark on the music world. Today's musician was an elite songstress. In her nearly 50-year career, her voice never faltered. Even as she encountered age and the effects of a lifelong smoking habit, her multiple octave range and intense vocal control wowed audiences all over the world. We're talking about Sassy, the divine Sarah, Sarah Vaughan. Sarah Lois Vaughan was born on March 27th, 1924 in Newark, New Jersey. Her father was a carpenter and her mother was a laundress, but both were also talented musicians. Sarah didn't take long to follow in their footsteps. She took up piano lessons at age seven and became a choir soloist at Mount Zion Baptist Church soon after. In 1942, Sarah's friends dared her to enter the Wednesday night amateur contest at Harlem's Apollo Theater. It was a renowned performance space, responsible for introducing many black music legends into fame, and on a whim, Sarah's rendition of Body and Soul won her the competition. Sarah's talent caught the eye of vocalist Billy Eckstein, who convinced pianist Earl Hines to hire her for his band. After a successful year with Hines, Sarah joined Eckstein's new band alongside the likes of Dizzy Gillespie, and Charlie Parker. The new band brought bebop into the jazz scene. Soon after her time with the band, Sarah embarked on a solo career. By 1947, she had a chart-topping hit with Tenderly. evening breeze
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SPEAKER_12: During this time, she also met and married a trumpet player named George Treadwell. Though their partnership ended in divorce, he became her manager during these early years and helped establish her look as she pursued solo work. Sarah added pop songs and show tunes to her repertoire, but no matter what she was singing, audiences all agreed on one thing, Sarah had talent. Early on, Sarah had been nicknamed Sassy in honor of her character on stage. As a soloist, she earned the title, The Divine One. It was a call to her incredible voice and live stage presence. Sarah boasted a three-octave vocal range and precise vocal control, along with the show-stopping emotional delivery of her songs. She captivated audiences with her performance, purposefully swooping up and down entire octaves. She sang a signature song, Misty, as a duet with herself, first in her higher tone and then in her contralto, imitating a male lounge singer. Along with voices like Billie Holiday and Ella Fitzgerald, she helped popularize the art of jazz singing. In the 1960s, Sarah recorded with famous band leaders, including band members like the D'Oyster, including Benny Carter, Frank Foster, and Quincy Jones. Her tours grew in size and popularity, and she accomplished international recognition. She experimented with even wider genres of music, including Beatles covers and Brazilian music. In 1982, she won her first Grammy for her work on Gershwin Live, alongside the Los Angeles Philharmonic. During her lifetime, she won four Grammy awards, including the Lifetime Achievement Award. As Sarah grew older, her voice got lower, likely due to a smoking habit, but her performance never suffered. Even into her 60s, she was belting out her standards. In the later years of her career, she closed nearly every performance with Sendin' the Clowns, a song that showcased her skill in jazz, pop, and operatic techniques throughout three vocal octaves. Sarah died from lung cancer on April 3rd, 1990. She was 66 years old. All month, we're talking about musicians. Wominica is a Wonder Media Network production. Special thanks to co-creators Jenny and Liz Kaplan, who invited me to guest host this month.
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